As I struggle to conquer the first draft of my latest science fiction manuscript - always the most difficult and psychologically challenging part of any project - I am bothered by doubt over whether there is room in the current entertainment narrative for a story about hope. You see, as much as I enjoy stories of the struggle to conquer oppression, the current deluge of dystopias has become its own hegemony. Oppression seems to be winning. It makes me wonder if anyone wants to read about friendship and camaraderie any more? Is anyone willing to believe that life is hard sometimes, but doable with the help of family and friends?
Am I alone or are there other people out there who want to read stories about compassion, trust and love? The question is distracting me enough that I have been compelled to interrupt myself to write this post. There’s a major shenpa invasion going on here and it all started with a television spoiler.
Ordinarily spoilers don’t bother me all that much. Even though I have advance knowledge of some plot point or other, I love a good story. The fun part is finding out how they get there. To date, there have been only two exceptions to that rule.
The first was knowing in advance in exactly which episode the Tenth Doctor would regenerate in Doctor Who. I dreaded that episode thoroughly, but was compelled forward by the momentum of the story. My husband laughed at me as I surrounded myself with stuffed animals and a warm fuzzy blanket. When the time finally came, there was no getting around it. I cried. Those darn script writers and their final line. That darn David Tennant for being such a brilliant actor: “I don’t want to go.” Waaaaahhhhhh…<sniff>
Now I’m facing down my second dreaded spoiler, the final episode of The Glades. I didn’t know about this series when it was on the air. Netflix suggested it to me when I finished up The Finder, a heartwarming story about a man who is compelled to solve mysteries by finding lost items. I’d known all along there was only one season, since I knew one of the stars, Michael Clarke Duncan, had passed away. I didn't know how The Glades would go out.
In the three and a half seasons of The Glades I’ve watched so far I have come to appreciate how truly different this narrative is from the depressing zeitgeist of our time. Yes, the necessary plot ingredients are all present. Every episode introduces a compelling mystery to be solved. The main character, Detective Jim Longworth, is supported by a motley Scooby gang made up of the chief medical examiner, the police division chief and a plucky semi-official intern. Detective Longworth is of course somewhat rogue, but he gets the job done. So no one gets in his way. He’s cocky, but somehow everyone likes him anyway. The Glades is everything you’d expect from a contemporary police dramady.
It took a while for even me to recognize it at first, but the development of the relationship between Jim and Callie is the healthiest and most partnership-driven I’ve ever seen come out of Hollywood. Yes, they have misunderstandings. Yes, they have stupid fights. The same is true for Callie and her son. Eventually though, each time they manage to find the courage to be honest with one another. In so doing, they created an intimacy that was upliftingly authentic.
As a person who loves romance, I have been turned off by the deluge of Fifty Shades wannabes. Hollywood doesn’t do much better spitting out story after story of relationships based on three days of intense circumstance most of which involve some set of major lies. In themselves, these stories are fine. It’s the lack of any alternative narrative that is discouraging.
In contrast, Callie and Jim got to know each other over the course of several years. They faced both personal and professional challenges. They experienced both elation and doubt in the ability of their relationship to survive, but they became gradually stronger together than they were apart. Furthermore, the show managed to present Jim Longworth as a tough and competent cop while also allowing him to be the kind of intimate partner any woman could envy.
Back to my spoiler.
The fourth season ender was Jim and Callie’s wedding. I’m to understand that Jim had secretly bought a house for a wedding gift. He is there before the wedding to take care of some final details at which point he’s shot. Apparently, we don’t even know why. Shortly after the episode aired, A&E announced they were canceling the show. Even though the episode generated extraordinary ratings, rather than building on their momentum, A&E canned it without even allowing the producers a chance to give Callie and Jim their well-deserved happy ending.
Yes, it’s only television, but I’m really angry. Furious in fact. There was one show, just one among the muck that’s shoveled onto screens every year that portrayed a healthy, loving couple making it work despite the odds. There was just one show where the man could be both archetypically guy-like and a supportive intimate partner at the same time. Well, we can't allow that. So they shot him. #jimandcalliedeservebetter!
Seriously. I want a real ending to this show a real happy ending where Jim doesn’t end up a vegetable or paraplegic from his injuries. If the show has to end, fine. Even M.A.S.H. had a final season. But give the viewers the gift of closure; the gift of story where investing in a deep, intimate relationship is worth it in the end. Give us just one story where allowing the characters to be vulnerable to one another doesn’t leave them bereft. Please! It’s only been a couple of years, A&E. The actors haven’t changed much. Give us a real finale you can be proud of as a network. Jim and Callie deserve better and so do we.